
Appraisal: Higgins & Spencer Paintings
Clip: Season 29 Episode 24 | 4m 1sVideo has Closed Captions
Appraisal: Higgins & Spencer Paintings
Watch Debra J. Force appraise a collection of Higgins and Spencer paintings, in Pretty or Pretty Ugly?
Problems playing video? | Closed Captioning Feedback
Problems playing video? | Closed Captioning Feedback
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Appraisal: Higgins & Spencer Paintings
Clip: Season 29 Episode 24 | 4m 1sVideo has Closed Captions
Watch Debra J. Force appraise a collection of Higgins and Spencer paintings, in Pretty or Pretty Ugly?
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: I went to a farm auction about five or six years ago, about 20 or 30 miles west of Minneapolis here.
They were in a box, two together, and I bid on them.
And I started the bidding at a dollar, and somebody bid three or four of them-- anyway, I wound up getting them for five dollars.
APPRAISER: Five dollars for both of them?
GUEST: For the both of them, yeah.
APPRAISER: And did you, uh, know anything about them when you bought them?
GUEST: No, I did not-- I just like the looks of that one particular.
I thought this one was kind of ugly, but... APPRAISER: (laughs) GUEST: So I got them and took them home, and I-I hung that one in my living room... APPRAISER: Right.
GUEST: ...for quite a while, and I hung this one in the family room.
And, uh... I've just enjoyed them since I had them.
APPRAISER: The painting on the top is by an artist named Spencer.
It's signed in the lower left, and it's actually a painting that was done more recently, certainly in the latter half of the 20th century, and probably by an artist who is a bit more commercial and painting for more decorative reasons.
We put a value of around $100 to $200 on that... GUEST: Yeah.
APPRAISER: ...if you were to find it in an antique shop.
Now, the second painting- were you able to read the signature on this?
GUEST: I couldn't see the name, so I couldn't look it up.
APPRAISER: Well, here we have the signature in the lower right.
And the name of the artist is Victor Higgins.
Victor Higgins grew up on a farm in Shelbyville, Indiana.
GUEST: Okay.
APPRAISER: He was born in 1884, died in 1949.
GUEST: Oh, you know all about this.
APPRAISER: Well, he's-- he's a well-known artist.
GUEST: Really.
APPRAISER: He's actually a member of what's called the Taos Society of Artists.
GUEST: Hm.
APPRAISER: Now, when you bought this, did you think this looked like a particular area?
GUEST: I go to Arizona in the wintertime, and I thought it looked like, uh, down in Arizona and New Mexico, down in that area.
APPRAISER: Well, you're absolutely right.
He moved there permanently from Chicago around 1915, and he remained there till the end of his life.
GUEST: Mm.
APPRAISER: He was well-known for painting pueblos and, uh, the life of the Native American, as well as landscapes like you see here.
His style started out in a more impressionistic manner, but by the time this was painted, he became a little bit more of a modernist.
You see some of the hard-edge lines and the forms that denote modernism as opposed to Impressionism.
Now, the date of this painting... is not exactly known.
However, the painting itself is on Masonite.
GUEST: Mm-hmm.
APPRAISER: And Masonite was not really in use until after 1926.
GUEST: Mm.
APPRAISER: So we can say that this was done after 1926.
GUEST: Is that oil or acrylic?
APPRAISER: That's oil.
GUEST: Okay.
APPRAISER: And... you can see that it has sort of a yellow cast over the surface.
It's very dirty.
GUEST: Does it need... Does it need cleaning, that's what I... APPRAISER: It needs cleaning.
Right up at the edge, you can see there's a little bit lighter blue.
GUEST: Uh-huh.
APPRAISER: And if it were cleaned, it would-- that sky would actually be a bright blue.
GUEST: But it should be cleaned by somebody who knows really what they're doing, not me, right?
APPRAISER: Yes, right.
Yes, that's right.
GUEST: (chuckles) APPRAISER: And the-the cost of cleaning something like this would not be very expensive, because it's otherwise in excellent condition.
The frame is original; it's very typical of what he would use.
And you can see it's a, a painted frame, as opposed to gold leaf.
If this were for sale, in an art gallery in Santa Fe, for example, which is where he probably would sell best.
I think it would sell in the range of $75,000.
GUEST: Whew!
You blew me away!
$75,000?
APPRAISER: Yes, yes.
GUEST: I don't believe it.
(laughs) APPRAISER: Well, if it were cleaned, it could even be up-- closer to 100 depending on how it cleaned up.
GUEST: Wow.
APPRAISER: That's quite a find.
Terrific.
GUEST: $75,000.
APPRAISER: Yeah, it's, it's wonderful.
GUEST: Unbelievable.
Appraisal: 1909 Lella Grace Woodward Oil Painting
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Clip: S29 Ep24 | 2m 7s | Appraisal: 1909 Lella Grace Woodward Oil Painting (2m 7s)
Preview: Pretty or Pretty Ugly?
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Preview: S29 Ep24 | 30s | Preview: Pretty or Pretty Ugly? (30s)
Appraisal: 1893 Tiffany & Co. World’s Fair Exhibition Vase
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Clip: S29 Ep24 | 3m 5s | Appraisal: 1893 Tiffany & Co. World’s Fair Exhibition Vase (3m 5s)
Appraisal: Handel Chipped Ice Lamp Shade, ca. 1920
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Clip: S29 Ep24 | 37s | Appraisal: Handel Chipped Ice Lamp Shade, ca. 1920 (37s)
Appraisal: Victorian Memorial Hair Wreath, ca. 1875
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Clip: S29 Ep24 | 38s | Appraisal: Victorian Memorial Hair Wreath, ca. 1875 (38s)
Appraisal: Western Bisque Googly Doll, ca. 1910
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Clip: S29 Ep24 | 3m 9s | Appraisal: Western Bisque Googly Doll, ca. 1910 (3m 9s)
Appraisal: Martin Brothers Stoneware Sugar Bowl, ca. 1890
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Clip: S29 Ep24 | 1m 19s | Appraisal: Martin Brothers Stoneware Sugar Bowl, ca. 1890 (1m 19s)
Appraisal: Early 20th C. Nippon Coralene Vase
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Clip: S29 Ep24 | 58s | Appraisal: Early 20th C. Nippon Coralene Vase (58s)
Appraisal: 1982 George Condo Drawing
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Clip: S29 Ep24 | 1m 26s | Appraisal: 1982 George Condo Drawing (1m 26s)
Appraisal: Eugene Sartre Bow & French Violin
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Clip: S29 Ep24 | 3m 23s | Appraisal: Eugene Sartre Bow & French Violin (3m 23s)
Appraisal: 1918 Mole & Thomas Living Photo & Frame
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Clip: S29 Ep24 | 1m 59s | Appraisal: 1918 Mole & Thomas Living Photo & Frame (1m 59s)
Appraisal: Samuel Yellin Light Fixture, ca. 1910
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Clip: S29 Ep24 | 2m 7s | Appraisal: Samuel Yellin Light Fixture, ca. 1910 (2m 7s)
Appraisal: Japanese Musen Cloisonné Vase, ca. 1910
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Clip: S29 Ep24 | 28s | Appraisal: Japanese Musen Cloisonné Vase, ca. 1910 (28s)
Appraisal: Guido Gambone Vase, ca. 1960
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Clip: S29 Ep24 | 3m 6s | Appraisal: Guido Gambone Vase, ca. 1960 (3m 6s)
Appraisal: Silk-embroidery Mourning Picture, ca. 1810
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Clip: S29 Ep24 | 3m 18s | Appraisal: Silk-embroidery Mourning Picture, ca. 1810 (3m 18s)
Appraisal: 1931 Jakob Bengel Machine Age Necklace
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Clip: S29 Ep24 | 1m 35s | Appraisal: 1931 Jakob Bengel Machine Age Necklace (1m 35s)
Appraisal: 1926 Blanche Lazzell "Petunias" Monoprint
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Clip: S29 Ep24 | 1m 4s | Appraisal: 1926 Blanche Lazzell "Petunias" Monoprint (1m 4s)
Appraisal: Marcus & Co. Opal Pin, ca. 1925
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Clip: S29 Ep24 | 3m 23s | Appraisal: Marcus & Co. Opal Pin, ca. 1925 (3m 23s)
Appraisal: Mission-Style Adirondack Rocker
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Clip: S29 Ep24 | 44s | Appraisal: Mission-Style Adirondack Rocker (44s)
Appraisal: Texas Longhorn Rocking Chair
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Clip: S29 Ep24 | 2m 13s | Appraisal: Texas Longhorn Rocking Chair (2m 13s)
Appraisal: Ming Dynasty Roof Tile
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Clip: S29 Ep24 | 2m 24s | Appraisal: Ming Dynasty Roof Tile (2m 24s)
Appraisal: Folk Art Spool Table, ca. 1900
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Clip: S29 Ep24 | 2m 50s | Appraisal: Folk Art Spool Table, ca. 1900 (2m 50s)
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Clip: S29 Ep24 | 2m 25s | Appraisal: Wall Acorn Clock (2m 25s)
Appraisal: Sarreguemines Pottery Figure
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Clip: S29 Ep24 | 2m 2s | Appraisal: Sarreguemines Pottery Figure (2m 2s)
Appraisal: Gold & Enamel Singing Bird Box
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Clip: S29 Ep24 | 2m 24s | Appraisal: Gold & Enamel Singing Bird Box (2m 24s)
Appraisal: Egyptian Revival French Clock, ca. 1880
Video has Closed Captions
Clip: S29 Ep24 | 34s | Appraisal: Egyptian Revival French Clock, ca. 1880, from Des Moines Hour 2 (34s)
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